S


Scherzo, op 25

Vivace

  • 1902?
  • Dedicated to:  Evelyn Suart
  • London: Elkin, 1904
  • Schott

Sea-Marge (subtitle: Meditation)

Rather quickly (Like the falling of a wave on a calm sea.)    

  • Dedicated to Sir Elgar and Lady Speyer
  • London: Elkin, 1914
  • Note:  cf. S.386

Serenade, op 67, no 2

subtitle: Serenate

  • London: Elkin, 1909

Serenata, Op.67 #2

Allegretto

  • 1909        Elkin**            3’04”
  • Schott**
  • LE:  1913, Elkin [753], First Album of Pianoforte Pieces

Six Pieces, op 4

  1. Valse                            Allegretto grazioso                         1’22”
  2. Adagio serioso            Adagio                                           2’40”
  3. Étude                           Allegro molto grazioso                  2’30”
  4. Folk-song                     Andante con moto                        1’40”
  5. Scherzino                    Allegretto                          0’56” – 1’10”
  6. Andante maestoso    Con espressione               1’37” – 1’52”
  • Dedicated:  "To Professors Iwan Knorr and Lazzaro Uzielli in grateful remembrance of my student days."
  • 1898-99    1903 Forsyth
  • Masters Music Publications, Inc.,
  • Boca Raton, Florida

(Two) Sketches — Op.57 #4 & 5

  1. Cuckoo-call        Andante languido                   1’59”
  2. Twilight Bells        Allegro moderato                  1’50”
  • Dedicated to:  Sir Landon Ronald
  • London: Elkin, 1907

Soirée Japonaise, op 67, no 4

Allegretto        2’43” – 3’09”

  • London, Elkin, 1910

Solitude, op 40, no. 1

Andante sostenuto

  • Dedicated to:  Henry Balfour Gardiner
  • LE:  1913, Elkin [753], First Album of Pianoforte Pieces
  • London: Elkin, 1904
  • Schott

Sonata for pianoforte in D, Op.17        

  1. Allegro molto moderato e maestoso
  2. Andante doloroso
  3. A tempo primo
  4. Fugato
  • Dedicated:  “To Percy Grainger as a token of intense admiration and love and in remembrance of the days of youthful inspiration.  November 1901”
  • 1900 - Sept.11, 1901, Vevey, Switz.    
  • unpublished        12’59”
  • MS:  Grainger Museum 
  • Notes:  cf. T.1

Sonata no.1, Op.66

  1. Allegro con spirito – Double as quickly     
  2. Adagio [revised: Adagio ma non troppo] – Tempo of 1st movement  [5’19” – 6’52”]
  3. [no marking] - Tranquillo   [4’58” – 6’50”]
  4. Fugue: Allegro / Molto maestoso e sostenuto  [3’51” – 4’34”]
  • rev.ed., nd    Elkin [511]
  • Dedicated to:  Alfred Hoehn
  • LE:  nd (c??), Kalmus (CPP/Belwin) [K 09966] = 1909 version, with a few corrections
  • Masters Music Publications (W7121, = 1909 version)
  • Note:  A troublesome work in establishing an “authentic” version, or versions.  Elkin [511] exists in at least three distinct versions, all dated 1909.  Two are labeled “(Revised Edition)”, but are different from each other as well as from the original 1909 text.  A copy of the original edition resides with the estate, in which Scott has added many red-ink revisions, designed for an Elkin reprinting.  Its interest lies in the fact that it corresponds to neither published “revised edition”, but represents a third revision, not necessarily last in chronology. Percy Grainger’s personal copy of the original 1909 edition exists in the Grainger Museum [MG C3/SCO-196], with copious annotations to the score, including elaborate markings for all three pedals, and cuts that reduce his performance time, as he states, from 25 ½ minutes to 19 (cf. S.165 and T.55).
  • premiered by Scott: May 17 1909 at Bechstein Hall, London
  • performed by Paul Otto Möckel: Jan 3, 1911 at Bechstein Hall, Berlin, summer, 1908,    1909
  • London: Elkin, 1909;
  • Rev. ed: London: Elkin, 1930

Sonata no. 2

Maestoso - Moderato e con poesia – Andante -  Tempo tranquillo e poco rubato – Con moto - Tempo vivace – Linger somewhat - Andante ma non senza moto - Con spirit – Estatico – Più sostenuto

  • Notes:  In one movement.  There are many notational discrepancies between the holograph and the UMA edition.
  • 1933, Rye
  • dedicated to Walter Gieseking
  • performed by Caroline Lill: Sept. 4 1958 at a Cyril Scott Festival: University Hall, Univerity of Canterbury, Christchurch, New Zealand
  • London: Universal Music Agencies, 1935 in The Plain Cover Edition [U.M.A. 13]
  • manuscript available from Cyril Scott estate

Sonata no. 3

  1. Molto tranquillo - Adagio ma no troppo
  2. Schetzo Patetico - Allegretto
  3. Finale - Grave - Con moto
  • broadcast premiere by Esther Fisher Sept 25, 1958 on BBC HS program
  • performed by John Ogdon: May 1 1964 at Duke's Hall, Royal Academy of Music, London sponsored by the Cyril Scott Society
  • London: Elkin, 1956
  • manuscript available from Cyril Scott estate

Souvenir de Vienne    

Poco allegretto, con grazia – Allegro con moto

  • Dedicated to:  “à Madame la Comtesse Hermann de Pourtal's                
  • Note:  Employed unchanged the following year as the finale to Karma, S.246, qv.    
  • 1923        Elkin
  • Schott
  • MS:  holograph with estate  

Spanish Dance

Allegro con spirito

  • London: Elkin, 1925
  • manuscript available from Cyril Scott estate

Sphinx, op 63

Andante

  • Dedicated to:  John Sargent Esq.
  • London: Elkin, 1908
  • manuscript available from Cyril Scott estate
  • Note:  A copy of Elkin [479] with the estate has a few bars added and tempo markings changed, in the composer’s hand.  / rewrites in b.11-13, 15-17, 43, 46-9

Suite in the Old Style , op 71, no. 1

  1. Prelude            Allegretto                        3’05” – 3’55”
  2. Sarabande            Adagio                       3’46” – 4’21”
  3. Minuet            Allegretto                         3’31” – 3’59”
  • Dedicated:  "for Hans & Carrie Lüthy, in long and deep Friendship."
  • Note:  The editor owns 3 copies of Elkin [544], each different in details.  One has a plain brown cover, while the other two have a cut-out through which a photograph of Scott on the title page shows through (each different).
  • London: Elkin, 1910

Suite, op 75, no. 2

  1. Prélude
  2. Air varié 
  3. Solemn Dance
  4. Caprice
  5. Introduction and Fugue
  • title: Deuxième Suite
  • dedicated to Claude Debussy
  • Performed by Scott: March 22, 1911
  • at Bechstein Hall, London and on Feb 29, 1912
  • at the Societé Musicale Indépendante, Paris
  • Mainz: B Schott's Söhne, 1910

Summer Is Icumen In

  • old English Air
  • title: Sumer Is Acumen In
  • dedicated to Edward Goll
  • London: Elkin, 1912

Summerland — Four Little Pieces, Op.54

  1. Playtime                Allegretto scherzando                1’20”
  2. A Song from the East         Allegro non troppo       1’41”
  3. Evening Idyll            Allegretto non troppo             2’08”
  4. Fairy Folk                Allegretto grazioso                   1’29”
  • Dedicated:  "To my young friends Honey & Peter Harris"
  • 1907        Elkin
  • LE:  nd (c??), Kalmus (CPP/Belwin) [K 09966]
  • Note:  A Song from the East later used as Picture III in Karma, S.246.