S
Scherzo, op 25
Vivace
- 1902?
- Dedicated to: Evelyn Suart
- London: Elkin, 1904
- Schott
Sea-Marge (subtitle: Meditation)
Rather quickly (Like the falling of a wave on a calm sea.)
- Dedicated to Sir Elgar and Lady Speyer
- London: Elkin, 1914
- Note: cf. S.386
Serenade, op 67, no 2
subtitle: Serenate
- London: Elkin, 1909
Serenata, Op.67 #2
Allegretto
- 1909 Elkin** 3’04”
- Schott**
- LE: 1913, Elkin [753], First Album of Pianoforte Pieces
Six Pieces, op 4
- Valse Allegretto grazioso 1’22”
- Adagio serioso Adagio 2’40”
- Étude Allegro molto grazioso 2’30”
- Folk-song Andante con moto 1’40”
- Scherzino Allegretto 0’56” – 1’10”
- Andante maestoso Con espressione 1’37” – 1’52”
- Dedicated: "To Professors Iwan Knorr and Lazzaro Uzielli in grateful remembrance of my student days."
- 1898-99 1903 Forsyth
- Masters Music Publications, Inc.,
- Boca Raton, Florida
(Two) Sketches — Op.57 #4 & 5
- Cuckoo-call Andante languido 1’59”
- Twilight Bells Allegro moderato 1’50”
- Dedicated to: Sir Landon Ronald
- London: Elkin, 1907
Soirée Japonaise, op 67, no 4
Allegretto 2’43” – 3’09”
- London, Elkin, 1910
Solitude, op 40, no. 1
Andante sostenuto
- Dedicated to: Henry Balfour Gardiner
- LE: 1913, Elkin [753], First Album of Pianoforte Pieces
- London: Elkin, 1904
- Schott
Sonata for pianoforte in D, Op.17
- Allegro molto moderato e maestoso
- Andante doloroso
- A tempo primo
- Fugato
- Dedicated: “To Percy Grainger as a token of intense admiration and love and in remembrance of the days of youthful inspiration. November 1901”
- 1900 - Sept.11, 1901, Vevey, Switz.
- unpublished 12’59”
- MS: Grainger Museum
- Notes: cf. T.1
Sonata no.1, Op.66
- Allegro con spirito – Double as quickly
- Adagio [revised: Adagio ma non troppo] – Tempo of 1st movement [5’19” – 6’52”]
- [no marking] - Tranquillo [4’58” – 6’50”]
- Fugue: Allegro / Molto maestoso e sostenuto [3’51” – 4’34”]
- rev.ed., nd Elkin [511]
- Dedicated to: Alfred Hoehn
- LE: nd (c??), Kalmus (CPP/Belwin) [K 09966] = 1909 version, with a few corrections
- Masters Music Publications (W7121, = 1909 version)
- Note: A troublesome work in establishing an “authentic” version, or versions. Elkin [511] exists in at least three distinct versions, all dated 1909. Two are labeled “(Revised Edition)”, but are different from each other as well as from the original 1909 text. A copy of the original edition resides with the estate, in which Scott has added many red-ink revisions, designed for an Elkin reprinting. Its interest lies in the fact that it corresponds to neither published “revised edition”, but represents a third revision, not necessarily last in chronology. Percy Grainger’s personal copy of the original 1909 edition exists in the Grainger Museum [MG C3/SCO-196], with copious annotations to the score, including elaborate markings for all three pedals, and cuts that reduce his performance time, as he states, from 25 ½ minutes to 19 (cf. S.165 and T.55).
- premiered by Scott: May 17 1909 at Bechstein Hall, London
- performed by Paul Otto Möckel: Jan 3, 1911 at Bechstein Hall, Berlin, summer, 1908, 1909
- London: Elkin, 1909;
- Rev. ed: London: Elkin, 1930
Sonata no. 2
Maestoso - Moderato e con poesia – Andante - Tempo tranquillo e poco rubato – Con moto - Tempo vivace – Linger somewhat - Andante ma non senza moto - Con spirit – Estatico – Più sostenuto
- Notes: In one movement. There are many notational discrepancies between the holograph and the UMA edition.
- 1933, Rye
- dedicated to Walter Gieseking
- performed by Caroline Lill: Sept. 4 1958 at a Cyril Scott Festival: University Hall, Univerity of Canterbury, Christchurch, New Zealand
- London: Universal Music Agencies, 1935 in The Plain Cover Edition [U.M.A. 13]
- manuscript available from Cyril Scott estate
Sonata no. 3
- Molto tranquillo - Adagio ma no troppo
- Schetzo Patetico - Allegretto
- Finale - Grave - Con moto
- broadcast premiere by Esther Fisher Sept 25, 1958 on BBC HS program
- performed by John Ogdon: May 1 1964 at Duke's Hall, Royal Academy of Music, London sponsored by the Cyril Scott Society
- London: Elkin, 1956
- manuscript available from Cyril Scott estate
Souvenir de Vienne
Poco allegretto, con grazia – Allegro con moto
- Dedicated to: “à Madame la Comtesse Hermann de Pourtal's
- Note: Employed unchanged the following year as the finale to Karma, S.246, qv.
- 1923 Elkin
- Schott
- MS: holograph with estate
Spanish Dance
Allegro con spirito
- London: Elkin, 1925
- manuscript available from Cyril Scott estate
Sphinx, op 63
Andante
- Dedicated to: John Sargent Esq.
- London: Elkin, 1908
- manuscript available from Cyril Scott estate
- Note: A copy of Elkin [479] with the estate has a few bars added and tempo markings changed, in the composer’s hand. / rewrites in b.11-13, 15-17, 43, 46-9
Suite in the Old Style , op 71, no. 1
- Prelude Allegretto 3’05” – 3’55”
- Sarabande Adagio 3’46” – 4’21”
- Minuet Allegretto 3’31” – 3’59”
- Dedicated: "for Hans & Carrie Lüthy, in long and deep Friendship."
- Note: The editor owns 3 copies of Elkin [544], each different in details. One has a plain brown cover, while the other two have a cut-out through which a photograph of Scott on the title page shows through (each different).
- London: Elkin, 1910
Suite, op 75, no. 2
- Prélude
- Air varié
- Solemn Dance
- Caprice
- Introduction and Fugue
- title: Deuxième Suite
- dedicated to Claude Debussy
- Performed by Scott: March 22, 1911
- at Bechstein Hall, London and on Feb 29, 1912
- at the Societé Musicale Indépendante, Paris
- Mainz: B Schott's Söhne, 1910
Summer Is Icumen In
- old English Air
- title: Sumer Is Acumen In
- dedicated to Edward Goll
- London: Elkin, 1912
Summerland — Four Little Pieces, Op.54
- Playtime Allegretto scherzando 1’20”
- A Song from the East Allegro non troppo 1’41”
- Evening Idyll Allegretto non troppo 2’08”
- Fairy Folk Allegretto grazioso 1’29”
- Dedicated: "To my young friends Honey & Peter Harris"
- 1907 Elkin
- LE: nd (c??), Kalmus (CPP/Belwin) [K 09966]
- Note: A Song from the East later used as Picture III in Karma, S.246.